Notfilm (Buster Keaton, Samuel Beckett - FILM) Kickstarter

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Uli Ruedel
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Notfilm (Buster Keaton, Samuel Beckett - FILM) Kickstarter

Postby Uli Ruedel » Wed Jul 15, 2015 1:10 pm

Here's another chance to support a documentary production & Blu-ray release via Kickstarter, this time from the Milestone friends:
https://www.kickstarter.com/projects/870959691/notfilm-a-new-documentary-by-ross-lipman?ref=video
Please support and share.

Uli

Gary Johnson
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Re: Notfilm (Buster Keaton, Samuel Beckett - FILM) Kickstart

Postby Gary Johnson » Fri Jul 17, 2015 7:57 pm

My view of Sam Beckett's FILM -- NotWatch.

Richard M Roberts
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Re: Notfilm (Buster Keaton, Samuel Beckett - FILM) Kickstart

Postby Richard M Roberts » Sat Jul 18, 2015 6:09 am

Gary Johnson wrote:My view of Sam Beckett's FILM -- NotWatch.


Yeah.....except that the film is fascinating in just one way: to watch Keaton as being one of the few performers who could make a role in which he is seen mostly from behind interesting. Keaton does take a typical Samuel Beckett one-note idea pretending to be obscure and deep (Beckett was such a darling of the pretentious and pseudo-intellectuals just because he would never cop to those concepts, or would hide them further in obscurist bullshit if someone asked him to explain, if you want a real laugh, read the essay that one was supposed to be presented to read BEFORE one watched FILM) and makes something of it.

I always was amused by Director Alan Schneider's condescending remarks about Keaton in his own ego-over-talent-driven autobiography, he basically dismisses Keaton as a broken-down old clown, when it's obvious that Keaton is the only reason the film has had any immortality at all. Buster was onto the whole thing from the get-go, when asked what it was all about hit nail-head with the response, " You can't run away from yourself", and while Schneider and Beckett snickered at Keaton's on-set non-chalance and supposed philistinism (he apparently read the newspaper while they agonized over their frankly amateurish grasp of filmmaking), Keaton would then with seeming effortlessness saunter on-camera and bring whatever brilliance there was to this table. The irony is that of Keaton's late-life short films like THE HOMEOWNER, THE RAILRODDER, and THE SCRIBE, FILM is pretty much the least of them, and it was the only one with any pretentions towards "art".


RICHARD M ROBERTS

Gary Johnson
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Re: Notfilm (Buster Keaton, Samuel Beckett - FILM) Kickstart

Postby Gary Johnson » Sat Jul 18, 2015 2:25 pm

I believe Beckett himself said he needed Keaton as someone who was instantly recognizable from the back.

I just happen to watch THE SCRIBE again earlier this week. That man was like a Timex. He just kept on ticking...
When I was a young lad trying to discern Keaton's massive filmography, I always assumed that this film was a biblical epic.


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